REAL MATTER.IMPOSSIBLE SCALE.

I build physical miniatures, capture them under real light, and turn them into cinematic worlds.

BUILD IT SMALL.
FILM IT REAL.
MAKE IT VAST.

Digital tools should not erase the physical source. They should carry its texture, light and accident into places a workshop could never hold.

Same miniature. First on the bench, then beyond it. The source stays physical while the camera and world become free.

A practical-first pipeline for turning captured matter into a navigable set — and bringing a real performance back into it.

Matter
Build the source
Stone, cloth, resin, metal and miniature sets begin as real objects. Surface response and imperfection are photographed, not invented after the fact.
Light
Record the states
The object is lit as a miniature stage. Separate practical lighting states preserve the decisions made in front of the camera.
Capture
Repeat the path
An eight-axis motion-control system is built to repeat camera movement and coverage precisely across multiple passes.
Reconstruct
Keep what the lens saw
Gaussian splatting turns the photographs into a navigable record of the real object — material, light and all — ready to be scaled and assembled into a world.
Perform
Put the camera back in
The next proof places a motion-controlled greenscreen performance inside the captured world, then finishes the shot in Nuke with matched lens, timing, grain and light.